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Using Boogex plugin in Ableton Live with some additional fx like focusrite compressors in front and EQ + Comp. at the end of the chain, overdrive, dynamic tube in front and saturator and chorus (all ableton) behind Boogex, I found "my" sound now.  Using the Live-crossfader availible in Boogex in the chain view (got to find a MIDI-joystick for it) i have many variations of my sound fading between the two amps and the amp delay.  I set the drive in Boogex at about 10 to 11 o`clock, resulting in a very dynamic, finger-controlled overdrive that sounds like the best amps ever built in a single tool!  I have used Amplitube 3 and Hendrix edition for over ten years.  Boogex compares so good to that, I dont pay for updates no more.  I am playing a 45 years old Ibanez with Gibson PAF and Dirty Finger.

By the way, Voxengo provides the only free plugin that works with Macbook Pro 2019 Catalina.  From the Studio Nord Bremen I downloaded all the IR-files, they sound great!

Thanks very much VOXENGO!

Martin Lowack


This is the underlying magic that most of the online 'mastering with AI' uses but it gives you access to the real params, very knob is important.  Time spent here will pay off well, and it tightens everything up in a way you weren't expecting.  Hidden gem.
Chris Hector - Sequential


There are many great useful plug-in tools out there, no doubt, but once in a while a truly brilliant plug-in is developed.  TEOTE belongs to the second categroy for me, whether as a subtle spectral balancer in a mastering scenario or as a very musical sounding repair tool for poorly recorded live recordings.  It is able to refresh and balance the sound with a very natural organic and dynamic feel, free of swishy FFT artefacts that some other spectral balancing tools out there have.  Brilliant!  Love it
Wolfram - black scarlet music


I must add a review to point out that this plug-in has more uses than at first meets the eye.

You may use it to construct a Dolby ProLogic (r) encoder so that your stereo material is compatible with all the Hi-Fi amps, televisions, game consoles that provide surround sound from a two channel delivery format.

The specifications for all modern surround formats have this in common; that they extract the surround channels from the out-of-phase "S" component of the stereo stream.

The surround L and surround R signals.

The encoding process is the same for all Dolby 2 channel systems, whereas the decoders built into Dolby certified equipment varies in complexity and channel count.

To encode Dolby compatible material, you need to set up a stereo AUX bus with the Voxengo Phase plugin, apply a short delay to both channels and a +90 degrees phase shift to the L channel and a -90 degree phase shift to the R channel.

All channels you want to have appear in your rear speakers will have to have in addition to going to the main stereo bus, a send to the AUX channel.  The send should have a pan pot so you can send the signal to either channel of the Aux bus.

When you increase the level of the send, you'll hear that the sound moves from front to back in accordance with your send level.  The panning of the send will determine if the sound emirates from the left or right surround speakers.  The mix between the send and the main stereo content will determine the fromt/back placement.

For a description of the levels and specifications, see this link: https://en.wikipedia.org/wiki/Matrix_decoder#Dolby_Stereo_and_Dolby_Surround_.28matrix_4:2:4.29

This plug-in is the only one (and I've tested a lot!) that actually offers a true 90 degrees phase shift across the frequency range and that works as a surround encoder.  The quality of the sound is pristine, and I'm happy to have found this gem!

Paal Rasmussen, sound engineer


This is the most natural and effective stereo plug-in I've found.  From a mono original, it spreads out the stage for more natural listening, and approximates what one would hear from 12th row center quite effectively.  Bravo...  Job well done!
Bob Wendel



I've just bought CTRIV Reverb 2.

Absolutely excellent sound! - very lush and very spacious and just what I was looking for, highly recommended - I've not heard anything quite like it.

It could do with a pre-delay control, and maybe a width control, but you can achieve that by using this with other plugins on a bus - maybe that's coming in CTRIV reverb 3? :D

Dave Rich


:
You've been doing a lot of work, keeping my purchases viable and up to date, and I'd like to say, "Thanks very much!".
Frank Lockwood


TEOTE is a very compelling new mixing/mastering plugin!  I have been putting it through it's paces in both Logic Pro X and Acoustica with a variety of program material from electronic-based pop to guitar-based rock tracks and am really liking the distinct but subtle 'polish' it adds.  I particularly like the ease with which you can dial in the desired sound and the resolution options.

I definitely plan on incorporating TEOTE in to sessions regularly.  Thanks so much to Aleksey and the team at Voxengo!!

Alan - Indie Musician, Producer, Engineer


This plugin is amazing for sound design, being able to just rebalance broken sounds and mess with them further is just an insane timesaver.  Highly recommend TEOTE for a wide variety of mixing tasks as well.
kai


The CRTIV Reverb 2 delivers the highest and warmest quality reverb I have ever used.  I have a bunch of vintage rack mounted reverb effects and after using this for live performances on Jamkazam, I don't reminisce anymore.  There are multiple settings which profoundly change the effect with a simple logical interface.  I have been using it for my trumpet playing and I get constant positive remarks on my tone and reverb.  Thanks!

Frank Visconti