User Testimonials

Add Your Testimonial

Go to product:

hallo,

just wanted to tell you, that i am absolutely happy with harmoniEQ 2.0!

i used version 1.0 quite a lot in the past, but it went in the background a little over time.

now with version 2.0 it is back again :-). what a great tool, i used it in a lot of occasions, from whole mixes to single tracks. i got perfect results for my needs, in very short time, from adding presence and grip/transient-emphasizing (i used it for this a lot) to making sounds mellow and smooth.

in a recent project, i had to bring a lot of very different acoustic-recordings in balance with each other. it ranged from heavy percussion to choir-singing/flute/cello. i got it done with heavy use of harmoniEQ in very short time. no fiddling with eqs and compressors/expanders, just tuning in the right frequencies, a little finetuning with the settings and done.

this a great addition to my toolset. i am amazed that there is not much more rumor about it :-).

best greetings,

mathias (posted on forum)


I've just discovered the Peaking HRM option in GlissEQ.  Wow.  I was working with some difficult acoustic guitar tracks.  These had some harsh frequencies due to room modes and recording in an untreated space.  I've since treated my room and have learned better how to track.  So now I hear all these problems on my older tracks.  Ever time I've tried to fix these tracks by EQing the harsh upper-mid-range, it just takes the life out of the guitar.  Rather than re-record these old tracks (what I should probably do someday), I used the Peaking HRM feature of GlissEQ.  Really amazing, I was able to dramatically improve the tracks, take out the harsh frequencies but leave the body of the track in place.  I'm knocked out how deep I could cut without dulling the sound.  As I improve my tracking and mixing, I'll be using this in much more subtle ways.  I've also found Peaking HRM to be great when used very gently to soften the mid-range harshness and low end mud that inevitably builds up at the mix level.
ant


I am using the GlissEQ and the VariSaturator on an upcoming jazz-elctronic dance release and it allowed me to selectively bring up very low level tom fill levels in a single track that had both hi hat and toms in it recorded in real time in the studio, so this application alone is amazing.

Thank you for your devotion to absolute quality and analog depth.

Ney Mello


What can I say?  These plugins are the bees knees!  Crunchessor, GlissEQ and VariSaturator make an absolutely killer plugin team; stick them on each of your audio tracks and you have a key which unlocks a whole new sonic world of possibilities.

I have to say, Crunchessor is a FINE compressor, absolutely spectacular on everything from drums to vocals and all in between, with a whole range of different compressor types, from clean to vintage models.  I'm not sure if this is emulating a hardware compressor, but it's definitely doing something right!

GlissEQ is one of the most flexible and versatile EQ plugins I have ever worked with.  This analyses the audio as you work and gives you an extremely detailed spectrum analysis of your audio, allowing you to make informed decisions on where to boost or cut.  If you leave the dynamic control alone, it provides a great EQ experience and will only allow your sound to be made better.  Anyone new to EQ should get this, it's superb.  Even better, if you have recorded frequencies over 24kHz, like on a vocal take recorded through a top quality mic, GlissEQ lets you observe all frequencies up to 48kHz and beyond, so you can add that airy quality to your vocal tracks.

VariSaturator, in my opinion, is just brilliant.  If EQ doesn't quite work, use this instead and you have your solution.  Brilliant on drums and guitar tracks.

If you are considering buying some top quality plugins, I would definitely recommend Voxengo time and time again, and I can almost guarantee you will be more than satisfied.  If there is one thing I would love to see from Voxengo, it would be the manufacture of yet more stellar processors for audio applications.

Max


Quite simply, Elephant 3 is the best limiter I have ever heard - vastly outperforming my current one in terms of transparency (I'd better not say which one it is - but it costs a lot more than Elephant!)

It has so many excellent features which make it very easy to tailor the perfect sound for my masters.  And yet, despite having so many variables, the clear layout, innovative metering graphs and incredibly well designed preset modes make it an absolute joy to use straight away.

The only downside is that now - I'm redoing the last CD I mastered.  Not because my client was unhappy, but because I know it will sound SO much better with an Elephant sat on it.  Thanks very much to Aleksey and his team for this marvelous piece of software.

Hue Jah Fink? - Mastering Engineer, and Creative Director at BinaryFeedback.com



I work a lot with older tape recordings and convert them to digital files.  After trying every noise reduction software and plugin I could find (except for the most expensive $1,000+ products), I just purchased Redunoise today.  After taking a little time to set it up and understand the parameters, I really like the results and performance.  With the correct settings, the end soundfile is much cleaner with very little or no audible artifacts.  Thank you for a great product, and I look forward to trying more or your plugins!
Jon Goin


Woaaa - I just updated Elephant to the latest version as well as I purchased the new Harmony EQ...  I am completely blown away by the Harmony EQ - there was always that cryptic "boost" knob in the old version - which usually sounded great, but was not really controllable - so I usually ended up not using it.  Now with the new Dynamic Section as well as the realtime analyzer..  Wow!

In addition I just stepped over the graph feature in Elephant.  Great great great!!  Ok - watching a waveform has nothing to do with mastering..  But I do love to watch that.  I am most sure we all do that..  Before I had to open an exported masterfile in Wavelab, haha - now I can see what is going on :)) Now that is really a cool feature!!

Cheers,

Christoph Brandes - Iguana Studios Germany


I just got a new reference disc of a project from my mastering engineer that was SRC'd via r8brain (PRO) instead of the other software.  The difference in detail and musicality is really, really amazing.  Great work.

Thanks!

mike poole


Essential plugin for all that use x64bit DAW.s.

This plugin lets you compensate latency for those x32 plugins that doesn't get compensate correctly threw the Bitbridge ... example Steinberg Virtual Guitarist 2 x32.

This plugin are FREE and works in both Windows 7 x64bit and Vista x64bit and are essential for any professional Music Producer, Mixing engineer or Songwriter.

Freddie


Hi.

Just wanted to say thanks, Voxengo.  Since I discovered the Elephant, and later the Stereo Touch, I use these plug-ins almost exclusively in their respective fields.  Can't imagine living without those anymore.  A huge thank you.

Lige Bange