Voxengo CurveEQ

I have various match EQ plugins including the one in LOGIC and the one in Ozone but this one is by far the most useful as I can export my EQ curves as .CSV files.  This means I can use them in a hardware DSP, where for example I don't want the latency.  I can also import a .csv curve, which means I can use my calibrated microphones, import their respective curves and create a recording with a totally flat response.  I can also create .csv curves Room EQ WIzard, which means I can use this as a measuring tool, then get my EQ into my software, where it is preferable to having it in hardware.  So I have created a hardware version of the ARC curve for my room on my master output.  And I have the EQ curves of various signal chains in AU/VST.  The one feature I think is missing for me is a better understanding of how the Q works on each filter band.  It would be useful to have an EQ calculator for those times when you see a fairly simple curve which you could dial into a parametric where exact EQ is not so critical.  An example of this is that I was trying to match two guitar pickups and only had limited EQ to do it.  I measured them using Curve EQ and I could see a fairly simple curve.  It would be nice to have an overlay showing potential settings for 2 or 3 band EQ that could be dialled into hardware to get a similar sound.  I am sure there is a formula somewhere to approximate EQ with a few bands of parametric but I probably wouldn't understand it ;/)

Mark Tinley

When you spend so much time and energy with your ears, brain, and soul in the project your working on, CurveEQ becomes your friend, co-producer, and savior.  The "Capture/Match" feature not only simplifies the task of establishing your "sound" ,it also keeps you from wandering off and losing your place with the gradual tweak here and there until all the mid-range is gone and your mix sounds like a cheap car stereo.  I even use it to duplicate the eq of a bass or vocal track from one song to others.  Aleksey is truly a most patient, generous, and BRILLIANT individual who I trust will continue to bring us even more excellent tools in the cause of audio sculpting.

James Cobb - musician, composer, producer

I am so thankful for the tools that you have made.  I am able to achieve control over sound that is simply impossible with "two-knob plugins." They certainly have their place, but I prefer to understand the character of different flavors of sound and mix/transform music with conscious intention, just as songwriters do so when creating their work initially.  Your tools enable me to express what I see/hear in my mind's eye/ ear.

CodingMusica.com